PELICANS AT THE ENTRANCE
'Portrait Of The Artist As A Cyborg loves process as much as he hates conventional narrative. He loves the texture of amateurism more than Andy Warhol did. In other words, he loves making what most people would call rubbish. Watching Australian Triptych is like watching someone's holiday video after it's been rescued from a skip.'
A still from Australian Triptych, 2002.
Alex Cox in Orson-Kino, vol xxii, #6, Vienna, 2003.
]+>Cyborg